Toybox III - Miniatures c. 1930 by Sara Morgan

You’ll love this adorable collection of unusual and hard-to-find juvenile and toy motifs! Filled with kitty cats, playful children, dogs, ducks, bunnies and more, these tiny prints are sure to delight quilters and kids of all ages.

Certain colors, certain prints, certain styles...together, they give us what is known as fashion. These trends in fashion make it possible to date not only the clothing that was worn, but also quilts that were made from fabrics that were popular at a given time. Each decade or, at least, each quarter-century can be identified by specific fabrics that were in demand by fashion-conscious ladies.

My collection of antique quilts dates, primarily, from the early 1800's and, as such, I am used to seeing a particular palette. Every now and again, I find examples of colors or prints that do not seem to fit the typical mold. Although accurate to the time period, they are not seen as frequently as the more familiar color schemes. Such is the case with this collection.

Vintage textile enthusiasts and collectors will find this group very exciting!

Fabrics from the Boussac of France mill are very rare and unique finds - Blue Hill Fabrics has been lucky enough, through their association with Sara Morgan, to present this beautiful collection of exclusive designs and motifs from that famous mill. . These treasures are just a sampling from the most incredible collection of mill samples from from the Boussac of France mill book.

The delicate background netting, the interesting color combinations and the wonderful handwriting motifs are straight out of mid 1800s textile history. Delicate flowers and intricate designs are just part of the appeal - once you see the collection, you’ll understand why it so special

Blue Hill Fabrics™ is pleased to present the first series of new fabric collections born from our allliance with the Rocky Mountain Quilt Museum.  A true gem from the Rocky Mountain Quilt Museum archives, the original Birds in the Air quilt comes from the collection of Lydia Skinner.

Lydia Mitchell was born in Maine, somewhere around 1820, and became the second wife of William Skinner, a mariner who ferried timber harvested in Maine to New Jersey. William was prosperous at the time of their marriage and went on to become quite wealthy. The couple moved to New Jersey and had 12 children. One of their sons was killed in the Civil War, at the battle of Williamsburg.

Victorian Christmas II by Sara Morgan   1890-1900

Following the Puritan ban on celebrations, it took nearly 200 years for Christmas to once again become an important event. Many of the things we most love at Christmas, such as sending cards and pictures of a fat, jolly Father Christmas or Santa Claus, date back to the Victorian age. The Christmas tree became popular, as did gift shopping in big stores.

Children in Victorian England had the task of writing greetings to their parents in their very best handwriting. Occasionally, adults took on the time-consuming task ofwriting Christmas letters to each other. The printed Christmas card solved this problem.

Bright, bold colorings and happy flowers make this collection a must-have! Grafig Trafiq, known for their flirty, fun and funky designs, wows us again with this newest addition to the Blue Hill Fabrics family!

Available in 3 popular colorings, contemporary quilters are sure to delight in the endless possibilities of projects that will appeal to all ages!

Looking for beautifully elegant holiday fabrics that will last throughout the year? Holiday Heritage II is just the collection!

Sara Morgan's special holiday fabrics feature a sophisticated twist with soft gold vintage florals, sheet music motifs and a large paisley border print that you will find dozens of uses for!

Following the Puritan ban on celebrations, it took nearly 200 years for Christmas to once again become an important event. Many of the things we most love at Christmas, such as sending cards and pictures of a fat, jolly Father Christmas or Santa Claus, date back to the Victorian age. The Christmas tree became popular, as did gift shopping in big stores.

We tend to think of quilts from the Civil War era as full of blues, grays, blacks - generally dark colors. These fabrics, reproduced from a quilt of the same name in the Rocky Mountain Quilt Museum collections, is a cheerful exception.  Most of the fabrics in this quilt date back to 1860-1880, although RMQM believes the black ombre may have been a little earlier. The vibrant green color in the small-scale prints was obtained by an overdyeing process popular at that time. The other prints, although typical of the time period, are somewhat rare finds: the dark red with blue and brown, the double pink with machine ground, turkey red with chrome yellow, and brilliant Prussian blue. It is these beautiful fabrics that inspired Blue Hill Fabrics™ to re-create a vintage collection that would appeal to both traditionalists and contemporary quilt artists.

In the Pre-War South, almost every manufactured good was imported from the North or overseas. In fact, local and state laws pointedly discouraged manufacturing, a cause for deep concern among some Southerners as war appeared inevitable. The region’s few textile mills were small, averaging only 12-24 looms (New England mills commonly had 10 times as many), and most produced warp for home weaving, a few checks and plaids, and utility cloth for the plantation or prison on which the mills were situated.